December 9, 2017

Order of the Boarsbane - December 2017

The Order of the Boarsbane is an award given by the Baron and Baroness of Red Spears to those who have given service to the Barony, the arts and sciences, or chivalric combat. It may be received once for each area.
The Order of the Boarsbane was created on pergamenata with Windsor-Newton gouache and Speedball calligraphy ink. The text reads as follows:
One and all shall know that we, Konrad and Isibel, Baron and Baroness of Red Spears do here recognize our faithful subject Domenica Cimatori for running the Turkish Coffee House at our annual event Baron Wars. Henceforth she shall be numbered as a member of our Order of the Boarsbane with the right to bear the badge: Or, a boarspear within a bordure gules. Done by our hand this 9th day of December, AS 52 in our canton of Hróðgeirsfjörðr at our Yule Feast.
Finished work.
Inspiration piece.

Order of l'Epee Rouge - December 2017

The Order of l'Epee Rouge is an award given by the Baron and Baroness of Red Spears to those who have shown skill and service to the Barony in rapier combat.
The Order of l'Epee Rouge was created on pergamenata with Windsor-Newton gouache and Speedball calligraphy ink. The text reads as follows:
Be it known unto all that we, Konrad and Isibel, Baron and Baroness of Red Spears, do recognize Deorsa Macghillachear for the marshaling and training of cut and thrust in our lands. Henceforth he shall number as a member of our Order of l'Epee Rouge. Done this 9th day of December A.S. 52 in our Canton of Hróðgeirsfjörðr at Yule Feast.
From what information I could gather based off of the recipients name, they had an early period Irish or Celtic persona. I looked to the Book of Kells for early period design inspiration and because I haven't done a scroll of this type before. I found a reference illuminated initial, then pieced together the rest of the text to build the scroll. The finished work of text is roughly 5 inches by 3 inches without space for signatures and ranks as one of my smallest works to date.

Finished work.
Inspiration piece.

November 26, 2017

All In a Days Bake

Inspired by the shift in weather, I threw together a sausage and kale soup loosely based on this Caldo Verde recipe. The dinosaur kale in the garden has been giving it a valiant go in spite of the occasional snow, but I felt I should make the most of it while it was still edible. The soup quickly transformed into a melting pot of assorted vegetables in the fridge, such as carrots, green bell pepper, purple kohlrabi, yellow onions, butternut squash, leftover sweet potato puree with some chia seeds added for good measure. We initially paired the hearty soup with some grocery store Italian-style bread and were both terribly unimpressed with the quality, so I decided to bake a couple of loaves of our favorite English Muffin Bread for the leftovers on Sunday. Paired with some Kerrygold Pure Irish Butter? Perfect.

Since the oven was already warm and I had three bananas specifically for bread, I did a quick search for banana and chia seed bread, then settled on the recipe from the website Plated. (Incidentally, I should specify that I'm trying to use up a packet of chia seeds from the pantry.) M. had some black walnuts already shelled so I added those and a little vanilla because for some reason it seemed odd that it wasn't included.

Banana Walnut Bread with Chia Seeds
  • 1 large ripe bananas
  • 1 large egg
  • 3/4 cup natural cane sugar
  • 1 teaspoon vanilla
  • 3 tablespoons melted unsalted butter
  • 1/2 cup black walnuts
  • 2 tablespoons chia seeds
  • 2 cups all-purpose flour
  • 1 teaspoon baking soda
  • 1 teaspoon baking powder
  • 1/2 teaspoon salt
Heat oven to 350° F and butter a 5" x 9" loaf pan. In a mixer, combine bananas, eggs, sugar, vanilla, and unsalted butter and thoroughly mix. In a separate bowl, combine the dry ingredients minus black walnuts, then mix gently by fork. Combine with wet ingredients in mixer. Once mixed, remove from stand mixer then gently fold in black walnuts. Pour mixture into greased baking pan, place in oven, then bake for approximately 45 minutes or until a toothpick comes out clean. Let cool on a rack, then enjoy!

October 28, 2017

Order of the Willow - October 2017

The Order of the Willow is an award given by the crown to those who have shown proficiency in the arts. The recipients are known by the badge blazoned: Purpure, a willow tree eradicated Or. This award is equal to the awards: Order of the Silver Oak.
  • Direct Link: Catalogue of Illuminated Manuscripts 
  • Title: Robert de Boron, Joseph d'Arimathie, Le Livre de Merlin, Suite de Merlin ('the Huth Manuscript'); f. 53r: The battle between Uther and Pendragon at Salisbury. 
  • Origin: 14th century 
The Award of the Willow was created on pergamenata with Windsor-Newton gouache and Speedball calligraphy ink. The text reads as follows:
Proclaim unto all that we Vukasin, Royal Patroness of the arts and Cellach our King, right mindful of the skills that Avelyn atte Wode hath displayed in the arts of calligraphy and illumination, wish to recognize her as a companion of our Order of the Willow. We bestow upon her the right to bear the badge: Purpure, a willow tree eradicated Or, without let or hindrance. Confirmed by our hands this 28th day of October, Anno Societatis 52 in our March(e) of Tirnewydd.
I wanted to create an easy to frame scroll, so the paper size was set at 8"x10" to accommodate a 5"x7" frame mat, easily found at any commercial craft store. It was nice to work in miniature, even if it did require pulling out the extra lights and the reading glasses. :| As it turns out, the scanner decided to not function properly, so the finished work picture is lower quality due to my camera phone and it being overcast outside. (And probably the cats checking out if I was putting wet food down, thus throwing a little shade...)

Finished work.
Inspiration piece.


September 18, 2017

Mapleside Demo

My local SCA group has been involved in a weekend demonstration held at the Mapleside Farms in Brunswick, OH for a number of years, in fact I believe this was our fourth. Imagine a weekend of arts, crafts, fencing, fighting, and other foolery.

My role changed slightly this year, but we took it upon ourselves to ensure the baronial tents arrived in a timely manner on Friday for setup. I was supposed to drive the truck, but M. was able to get off work to make it for the 5:00 delivery time. Upon arrival, we found the site to be in less than ideal conditions, namely a few tons of work trucks from a project up the hill parked in our general setup area... and our setup area a construction site.

A wide-angle view of the demonstration grounds and crowds.
We made the most of this by asking the farms to bring in some tree litter (leaves, branches, etc.) for the fighting area, and the remainder of tents set up in other less chaotic areas. Museum Von Aachen is a favorite destination for all medieval fest attendees. We had armored combat, archery, rapier combat, dancing, glass blowing, medieval oil painting, medieval life, weaving, spinning, calligraphy and illumination, wood working, and so much more!

The lovely Lady Seonaid inghean Ghriogar.
Our fledgling demonstration coordinator Eve took about 300 amazing photographs and documented them on Facebook. (Well worth a visit to the group to check them out.) One new feature this year was an information booth manned by the Northern Oaken regional chatelaine. She had a lovely "Finding your local group" map, color coded, with website and contact information for all of the local chatelaines. I can't believe someone didn't think of this earlier. After the weekend was done, she advised there were over a hundred names on her information request list, and some well out of Kingdom.

The Sisterhood banners representing!
Since I had no particular art I was looking to display, I volunteered to hand out wrist bands at the top of the hill on Saturday since our usual den mother was at a wedding. To make the most of the eight hours by myself, I brought a collection of basket weaving supplies, some banners, and table cloths to decorate the space. (With the trusty old decorated 10x10 pop-up I painted in my apartment back in the day.) What I didn't quite realize, although I was warned, is it became a perfect point to talk to steady stream of members as well as the general populace northeast Ohio.

Ginevra and I had talked about demonstrating basket weaving this year, but she had fallen ill with some projectile plague and was unable to make it, but I decided to bring my supplies anyway and display them, if not work on them. As it turned out, another SCA member (Thora) kept me company most of Saturday and, since our hands were generally idle and she was game, we acquired a gallon or two of water and put to good use the basket weaving supplies on hand.

Honoring Katharine
through sharing her
love of weaving.
Rather than try to teach with one of the more complex patterns included which required some forming, we each made a small berry basket without handles. This fascinated all of the people passing by, several of which stopped to chat or asked if they could be involved in this arts and crafts demonstration or if they could buy something. We politely answered all questions they had, then gestured towards the gentle hill down to the actual displays.

When we wrapped up on Saturday, the baskets were mostly constructed and tucked, but just needed the final edge treatment. I moved the display down to the general demonstration area and worked on that throughout the day. Not nearly as much traffic or interest with so many other amazing arts and crafts displays going on, but that is perhaps my own fault for setting up next to the glass bead maker.

August 14, 2017

Pennsic War 46 Classes I Took

The load of classes I was able to squeeze in between my baronial duties was unfortunately a bit limited. I did manage to cram in taking eight classes and teaching one. Without further ado...
  1. Twelve Plants through the Ages - This class is a continuation of Pennsic 45's Twelve Plants focusing on (as you can guess) twelve different plants. I wasn't surprised to see so many previous students in the class, I still stand behind this being an amazing treasure trove of modern and historic lore, perfect for the curious or the studious! Teacher is still great.
  2. Pennsic Homes - The class focused on the instructor's varied attempts at a Pennsic Small House, but cited many historic references to traveling caravans and homes. It was well attended and had more meat in the citations and the documentation was excellent. I wish I had a copy for my own perusal, but the teacher saved it for the next session.
  3. Deeper Look at Textiles & Trim of Viking Age Dress - A gorgeous and in depth class discussing the creation of textiles. I'd try to summarize it, but my words would fail to cover the scope, so I'll just provide you with a class description. "By looking deeper at both the textiles and the details from extant items, this class aims to help individuals make informed choices for crafting their garments. Textile examples will clarify the weaves and weight of period fabrics and there will also be discussion of possible modern substitutions. Additionally, practical details for finishing or embellishing garments will also be explored and their history investigated. The goal of this class is to help the individual understand how daily life during the Viking Age could affect how textiles were crafted and worn." If you see it pop up 
  4. Landed Baron/ess Roundtable - As stated, this round table allowed us to meet and greet with some of the other landed barons and baronesses of the Knowne World, outside of the Midrealm. I would recommend this for any interested in serving or for those already in service. I took quite a few notes and plan to apply some of the principles locally.
  5. Soap in a Bottle - I arrived late for this class, so it was essentially an audit. The instructor gave several examples of how to make soap and encouraged all to give it a try. I can see this being a valuable technique to learn and subsequently to teach. I have a cousin who makes soaps for her small business so I may reach out to her for some tips and tricks.
  6. Pennsic Without a Cooler - The class focused primarily on medieval foods that could last during the two week war with samples. Overall, well attended and educational, but I was looking for more of a modern take on doing Pennsic without a cooler to avoid the dreaded nutmeg. No fault of the instructor as her examples were useful.
  7. The Bliaut Revisited - A generally good class covering the history of and the basics for construction of the bliaut. The instructor shared her experiences with planning, construction, and wearing them in all climates.
  8. Espalier Trees - When I saw the class in the handbook, I was exceptionally excited and rearranged my baronial schedule to attend. (And still made my commitment a few hours later.) The instructor went through different tree and root stock, pruning techniques, historic shapes, and provided an exceptional pictorial guide on his own espalier tree farm. This is a multi-year project and takes a lot of time and care to come to fruition (pun intended) properly.

July 28, 2017

Pennsic 46 Classes

Since I wasn't sure of my baronial commitments, I opted to reprise one simple yet fun class for 2017.
In the past, the class had been lightly attended but not this year! It just so happened that an exceptionally heavy rain storm hit right about 2:15, so after dropping the side walls of the dance pavilion, the dancers and I got back down to business and finished just shy of 3:00. I would say it was an overall success. :)

April 1, 2017

Card Weaving 101

The half-warped inke loom makes a
purrf-ect kitten playground! (2014)
In the early days of my SCA career, I acquired a lovely inkle loom crafted by Sir Farþegn (Farthegn) Rinksson. Being new to weaving on this type of loom, I decided to tackle an easy project using cards. After all a lot of my friends were doing it. In fact, I started warping the loom in 2012 when I moved into my home and then? ... Promptly set it aside and forgot about it. I would look at it longingly (after moving the stuff in front of it) year after year and couldn't quite bring myself to pick it up and start working on it again, primarily since I had misplaced the pattern I was using.

After a quick trip to my Amazon purchase history, I ordered my second copy of A Tablet Weaver's Pattern Book by Holtzer and White. Once received, I looked at the pattern and looked at the cards only to realize I wasn't quite sure what the heck I was thinking when I had originally started warping. The color scheme wasn't going to work out as I had hoped, so I went through and pulled individual threads out of individual cards to fix it. (I don't recommend doing it wrong the first time, by the by.) Learning curve aside, I took the project with me to the basket weaving retreat in Columbus to work on in the down time.

It may have taken a few hours to get finished, but it was definitely a fun experience. I need a bit more practice keeping my tension consistent so the width of the weaving doesn't fluctuate so drastically, but that will come with time I'm told.

I apparently was so geeked with the pattern book, I decided to draft my own pattern for the item that's currently on the loom. (Not pictured.) Perhaps one day I'll finish and gift that, too. Winter is coming, so there's hope.


March 18, 2017

Introduction to Basket Weaving

My first berry basket.
In March, (Mistress) Felice hosted a basket making retreat for the Philipian Sisterhood members in honor and to celebrate the life of our recently departed sister, (Mistress) Katherine Hatton VonRahm who not only practiced the art, but mastered it. On that blustery March day, we gathered to create our very own (and yet very unique) berry baskets. In attendance: Crespine, Felice, Zsof, Colette, Ginevra, and I.

It was an honor to keep the tradition alive. I know shortly after our return to the Cleftlands, both Ginevra and I acquired our own basket making supplies and plan to work on our art in the near future!


January 28, 2017

Order of the Willow - January 2017

The Order of the Willow is an award given by the crown to those who have shown proficiency in the arts. The recipients are known by the badge blazoned: Purpure, a willow tree eradicated Or. This award is equal to the awards: Order of the Silver Oak.
The Order of the Willow was created on pergamenata with Windsor-Newton gouache and  Speedball calligraphy ink. The text reads as follows:
Piteous are those who fail to hear the words of Kateryn, Royal Patroness of the Arts & Edmund our King. It is our pleasure to recognize the skill & art of cookery displayed by our subject Gwenllian Tarianlas & wish for her to be known as a companion of our noble Order of the Willow. We grant her the right to bear the badge: Purpure, a willow tree eradicated Or, without let or hindrance from any person. Done this 28th day of January, Anno Societatis XLI (51) in our Barony of the Cleftlands.
In reality, the illuminated initial is an A, but I choose to see it as a pi (π) symbol... thus π-teous or pi-teous and the other pie nods throughout the scroll. #sowitty

Finished work.
Inspiration piece.