Ginevra has been documenting the steps of creating her dress for Val Day and it sort of
The whole project started off well enough. I had just enough fabric for three rectangle skirt panels at 47 inches long, plus enough material for a bodice and sleeves. Success! I wanted to try using the gamurra block pattern since it is flexible, custom, and worked well when I made all my easy wear items for Pennsic. The skirt construction was easy, three straight seams, so I moved quickly on to the bodice where I used two layers of linen/cotton fustian heavy weight fabric and a medium weight white linen as lining. I felt I had some time, so I added channels and hemp boning, just like my other Italian gowns. A bit more sewing and the bodice was done.
It was a piece of cake.
And then I tried on the bodice. Apparently I didn't learn my lesson about cake when watching Labyrinth a thousand times. The bodice was a bitter piece of marble cake and a bit of a hot mess. It didn't fit quite as well as I would have liked and the neckline was just that - at my neck. The nuns called and said I was pious enough for the convent it was so high and modest. Not exactly what I was going for, so back to the cutting board.
It was Wednesday night, meeting night, and already after work. I threw the section of material I had set aside for sleeves down and very quickly cut out a new bodice with proper pieces from Period Pattern, Italian renaissance, view VII. It went together more quickly than expected (without boning, alas.) And on Thursday, I was hand sewing towards the end of the business day so I could attach the skirt and sew down the lining by the end of night. I was able to throw a hail Mary pass and get it into enough shape to wear it, but the fit still leaves a little to be desired. It will still need to be taken in a little to make it worth wearing again.